14:00Cold open
A Tu'er Ye clay figure — long ears, a three-lobed mouth, gold armour

Beijing · Two hours, booked on its own

Two hours, and
you take him home

You are handed a bare clay Rabbit God — Beijing's four-hundred-year-old moon-festival figure — and a maker shows you how to bring him up in colour. The one you paint is the one you leave with.

Where
A Beijing studio
Inside the old city · address sent after booking
How long
About 2 hours
You leave with
The figure itself
Painted by you, dry enough to travel
Scroll
兔儿爷

Clay& Colour

About 2 hoursA maker demonstratesNational heritage, 2014You keep what you paint

Two hours, and this is what you walk out with

You'll see
  • A working Beijing clay-painting studio, not a classroom
  • The full range on the shelves — zodiac series, old-architecture series, herbal-medicine series
  • A maker doing in ninety seconds the line that will take you ten minutes
You'll handle
  • Raw clay bodies straight from the mould, still chalk-grey
  • Mineral pigment, mixed on the spot
  • A brush fine enough that you will hold your breath using it
You'll hear
  • Why he carries a pestle for grinding medicine — the jade rabbit was sent down to stop a plague
  • What the Palace Museum's own late-Qing Rabbit God looks like, and why he's riding a deer
  • A fifth-generation maker on why the craft is easy to start and very hard to stay in
You'll take home
  • The figure you painted, dry enough to travel
  • The order of operations — ground colour, pattern, face last
  • A souvenir nobody else has, because nobody paints two the same
A Tu'er Ye figure in pale face paint and coloured robes
A pair of Tu'er Ye figures on red stands
Tu'er Ye figures displayed in a heritage exhibition space

Tu'er Ye — Lord Rabbit. Gold helmet, gold armour, a pestle for grinding medicine, and a command banner at his back.

Every mid-autumn, Beijing households used to set one out and make offerings to it. The ritual has all but gone; the figure stayed.

In 2014 the craft entered the national intangible heritage list. Four hundred years, and still made by hand.

A pale unpainted Tu'er Ye figure on a stand
01
泥坯

14:15What you are given

Rabbit above,
officer below

Long pointed ears · mountain brows · a three-lobed mouth

The mould has done the anatomy: the long pointed ears, the hill-shaped brows, the split rabbit lip, the armour plates and the socket for the banner. The Palace Museum holds a late-Qing one 31 centimetres tall, dressed as a civil official and riding side-saddle on a sika deer. Late-Qing makers built them over a metre high; the smallest were three inches. Yours is somewhere in between, and entirely grey.

A maker demonstrating Tu'er Ye painting at a red-covered table
02
打底

14:40Demonstration first

Ground colour first,
pattern after

选泥 · 浸泡 · 摔打 · 压坯 · 打底 · 彩绘

The full sequence runs: choose the clay, soak it, beat it, press the mould, lay the ground, then paint. You join at the fifth step. Flat ground colour goes down over the whole figure and has to dry before any pattern touches it — the maker demonstrates on their own piece so you can see exactly where a wrong order becomes unfixable.

A finished Tu'er Ye with painted face on a red ground
03
开脸

15:20Left until last

The face goes
on last

Powder-white ground · then the brows, then the mouth

The face is left to the end, and it is the part everyone gets tense about. A powder-white ground, then the two hill-shaped brows, then the split lip. Up to that point you were decorating an object. The moment the brows land, it acquires an expression — and you will find you have opinions about it.

A quiet craft studio with work laid out

Four hundred years is not automatic

“Easy to start. The further in you go, the harder it gets.

That is Zhang Zhongqiang, a fifth-generation Beijing clay-painting maker, on his own craft — and on why so few people stay with it. He keeps a small shop on Yangmeizhu Xiejie in Xicheng, and makes a case that the material and the method must stay traditional while the imagery has to belong to now.

So today's Tu'er Ye come in series: Beijing's central axis, old architecture, Chinese medicinal herbs, the twelve zodiac animals, even space programmes and World Cups.

He has also travelled — Tu'er Ye figures have been shown in France, Italy, Pakistan, Russia, Kyrgyzstan, Estonia and Finland. Which is a long way for a rabbit that was originally sent to one city to stop an epidemic.

What is on the table

Clay · ground · brush · banner
A Tu'er Ye stall photographed in Beijing in the 1930s, the maker sitting beside it
The fine brush细笔 · everything that matters
Hands painting a small figure
Your hands上色 · steadier than you expect
Paint pots and brushes on a table
The palette颜料 · ground colour first
A single Tu'er Ye — armour, tiger mount, three-lobed mouth
The armour金盔金甲 · and a medicine pestle
Shelves of Tu'er Ye figures at a Liulichang shop in Beijing
A finished pair成品 · no two the same
Duration
About 2 hours
Where
A Beijing studio — address on booking
Heritage status
Clay sculpture (Beijing Tu'er Ye), national list, 2014
Guide
English-speaking, throughout
Skill needed
None
Ages
Works from about 6 up
You keep
The figure you painted
Painted Tu'er Ye lined up on red cushions

Book a rabbit

Two hours, any afternoon, on its own. Tell us a date and how many of you there are.

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